Skip to main content

"Whistle" by Martin Figura at Cheltenham Poetry Festival

In April, my uncle and I went to see award-winning poet Martin Figura read from "Whistle", his second full-length collection of poetry.  His performance caused quite a stir at Ledbury Poetry Festival in 2010, where he received a standing ovation, which by all accounts is not an easy thing to do at Ledbury.  Not only was this for the Shropshire poet's extremely poignant and unsentimental verse, but for his understated and - at times - humorous delivery of it.  Without having previously read any of Figura's work, I purchased Whistle before his performance as part of Cheltenham Poetry Festival.  Thumbing through its pages, first impressions of his poetry proved dark.  And relentlessly so.  I prepared myself, and warned my uncle.

'When Martin Figura was nine years old, his father killed his mother,' as begins the blurb of the Whistle tour.  I could see where Cheltenham Poetry Festival were coming from when they booked the rather severe and low-lit chapel within the grounds of St. Francis Close Hall.  It certainly didn't allay my first impressions of his collection; there's something confessional about the way Figura's audience were made to face one another.  But rather than burden the reader with his father's crime, Figura's sequence of poems told a very brave story of quite magnificient restraint.  And while the murder of his mother is central to this collection, Figura does not simplify or complicate the story with the blindness of grief.  The dispassion of time has played a part in the construction of Figura's collection, and yet there is nothing cold or distant about it.
 
Though a poem within Whistle is named "Chapel", the setting ultimately proved rather incongruous.  It was a very personal story told without agenda, other than Figura's desire to tell it.  With the occasional aid of a video projector to show family photos, Figura spoke for an hour without book or script.  He read all the poems from memory.  And in doing so, the memory of his mother and his father lives on. 


I thanked Figura afterwards for such an engaging evening.  I tell him that my favourite poem from his reading is "Glove", which reads as follows:

Glove

My mother and I pose in Sunday best
in front of a cottage with roses
around the door.  She dreams

it is our house, where white gloves
will not be smudged or snagged on a thorn
and be left with a pin-prick of blood.

I could print this photograph
so dark, there would only be
her hand on my shoulder.

In any other age, that may have been the end of my communication with Figura.  However, the ease at which you can communicate with your favourite poets nowadays is unprecedented.  Naturally, I added Figura (@thebutchery) on Twitter as soon as I got home from the reading.  Be warned, though: by searching "Martin Figura", Twitter comes back with a "top" suggestion of Ricky Martin.

One thing that came through during Figura's reading was his humour and likeability, and this is no more prevalent than in our recent interaction on Twitter.




Comments

Popular posts from this blog

An Expert Analysis of Michael Fassbender's Running Style From the Film 'Shame'

Tom Wiggins: What are your first impressions of Michael Fassbender/Brandon's running style? Paul Whittaker: He's running nice, smooth and relaxed. He seems like he has a good amount of fitness and he is running well within himself in terms of pace.   TW: What improvements could he make to his running style? PW: The main improvement I'd make is his foot plant.  He lands heel first and this causes a 'breaking' effect when travelling forwards.  If he landed on his mid-foot/forefoot, this would be a much better for impact stress and propulsion going forward into the next running stride. TW: Regarding his speed, how many minutes per mile is he running? PW : I would say he is running approx 7-7.30 minutes per mile. TW:   What do you make of his stride lengths?  Is he overstriding/understriding? PW:  The actor is definitely overstriding in this clip.  It would help if his feet landed underneath and below his centre of gravit...

Norman MacCaig: Poetry Hero

I cannot say exactly when I first discovered Norman MacCaig.  It may have been at the beginning of this year, but could well have been at the end of last.  I found him through a tweet.  Six months or more is a long time on Twitter, and when tweets get to a certain age, they're as stubbornly elusive as a missing person who wants to stay missed. But I know the tweet was left by poet  Jo Bell , the director of National Poetry Day, and whose wonderful blog can be found  here .  The link she left took me to an enthralling 25-minute interview with MacCaig.  I liked the man instantly.  I replied to Jo by saying what how charming MacCaig was.  He had a warm sparkle in his eye that only Scots seem to have access to.  He epitomised charismatic.  Unfortunately, embedding has been disabled on the video, but it can be found  here .  Fast forward to yesterday.  I was sat in Stanman's Kitche...

Mr Pebble Pockets

I’ve called him Mr Pebble Pockets because if I don’t make a joke out of it I’ll cry.  It was about 10:30pm, I’d just got back to the boat from a late shift and I was waiting for my Deliveroo.  He was standing a little further down the towpath and staring at the water.  The night was clear and crisp and there was enough moonlight to see the shape of him: he was tall, late twenties and had a powerful sporty look to him.  He wasn’t crying, but he was shaking and he stood crooked.    Well, it doesn’t take a genius, does it?  I only came out to wait for a bloody curry.  Mother Florence bloody Teresa Nightingale springing into action, hungry and as tired as fuck and now having to stop this guy from jumping into the canal with an anchor for a coat.     I know now that the best thing to do was offer him a cigarette.   I don’t know why I didn’t.   I had the packet and the lighter in my hand. ‘Excuse me,’ I said.   ‘Ar...